Yep.
Mel Brooks’ main target in Blazing Saddles is bigotry/racism; a perennial target in American comedy going back at least to Mark Twain.
Comedy is a courageous window to truth, an unflinching mirror to ourselves. It seems to me the best comedy is only concerned with these things - concessions to the audience risk indenturing the comic to whoredom. The audience will get it, or not. (See Norm Macdonald.)
When Dave Chappelle was in the midst of defending a cancel attack last year, he was unrelenting and said Americans’ "ears had become brittle.” Some consider him the GOAT.